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The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands

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  • The Changing Same? Roundtable and Book Launch

    by rovobam

    Book Launch and RoundtableWednesday, 31 May 202318:00-19:30 BSTSpeakers: Anjalie Dalal-Clayton, Paul Goodwin, Carolina Rito, Ian Sergeant, and Marlene Smith. Register here! Download publication here. ‘The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands’ is a research network funded by the Arts and Humanities Research Council (AHRC). Co-led by Carolina Rito (Coventry University) and Paul Goodwin (University of the...

    May 25, 2023
    Blog, Uncategorized
  • Carol Thompson on Black Art an’ Done Exhibition

    by rovobam

    We organised a workshop with the project partners and working group members at New Art Exchange on the 7th of December 2022. The project partners were asked to give a short presentation about an event or activity that they found radical and transformative in the history of their organisation. Here is what Senior Curator Carol Thompson at Wolverhampton Gallery shared with us. Carol Thompson...

    January 9, 2023
    Blog, Uncategorized
  • Nation’s Finest, Putting Down Roots & Birthing

    by rovobam

    Marlene Smith Nation’s Finest, Putting Down Roots & Birthing is the title of a multi-dimensional and inter-generational project by artist Beverley Bennett, commissioned by the B2022 Commonwealth Games cultural festival and curated by myself and Ian Sergeant for the Blk Art Group Research Project. B2022 wanted a project that made reference to the rich history of the Black Arts Movement in the region and...

    September 28, 2022
    Blog, Uncategorized
  • The northeast coast of Brazil and the Amazon River

    The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands

    by rovobam

    The project explores the legacy of the Black Arts Movement (BAM) in the Midlands and the understudied role of the visual arts institutions in supporting the movement in the 1980s and today. This network also aims to actualise the 1980s movement’s motivations in light of today’s response of the sector in supporting, promoting and showing Black curators and artists. Objectives • To foster research...

    April 6, 2022
    Blog
  • Snow-capped mountains of the Andes mountain range

    Keith Piper and Marlene Smith on the PanAfrikan Connection Exhibition

    by rovobam

    In-conversation with Keith Piper and Marlene Smith, moderated by Carolina Rito, exploring the BLK Art Group exhibition, PanAfrikan Connection, at the Herbert Gallery and Museum in 1983.

    April 6, 2022
    Uncategorized

Watch Talk and Publication Launch The Changing Same? The Role of Arts Organisations in the British Black Arts Movement in the Midlands

Download Publication: The Changing Same? British Black Artists and Visual Arts Organisations in the Midlands

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Senior Curator Carol Thompson on Black Art an’ Done Exhibition by the BLK Art Group in June 1981, Wolverhampton Gallery.

Cover of Black Art an’ Done exhibition brochure, 1981. © Keith Piper

Marlene Smith on Nation’s Finest, Putting Down Roots & Birthing by Beverley Bennett, commissioned by the B2022 Commonwealth Games cultural festival and curated by Marlene Smith and Ian Sergeant for the Blk Art Group Research Project.

Learning about the Blk Art Group work is important, especially if you consider that it is only in recent times that we have seen major exhibitions by Frank Bowling, Denzil Forrester, and Lubaina Himid. The broadening of the British art canon has been slow.

Jagdish Patel

About

The project explores the legacy of the British Black Arts Movement in the Midlands and the role of the visual arts institutions in supporting the movement in the 1980s and today.

Read the latest blog post by Jagdish Patel: "Interference:s BLK Art Group Talk The Herbert Art Gallery and Museum"

Keith Piper and Marlene Smith in conversation with Carolina Rito at the Herbert Art Gallery and Museum. In the conversation, two of the co-founders of the Blk Art Group talked about the PanAfrikan Connection Exhibition at the Herbert Art Gallery and Museum in 1983.

This project is supported through funding by the Arts and Humanities Research Council. 

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